Thomas, Ax help SF Symphony audience connect with Schoenberg
It’s one of the oldest and most transparent ploys in the world of orchestra concerts. The conductor grabs the microphone before the difficult modern piece (which is often no longer all that modern) to assure the apprehensive audience that this music truly has no power to harm them — in fact, beneath its dissonant claws, the piece is actually a pussycat. Audiences generally aren’t soothed. But Michael Tilson Thomas is especially adept at this kind of soft soap, and on Thursday, Jan. Читать дальше...