Ireland, Haynes and Zecca: three creative postures
[...] the Telegraph Hill Gallery brings an unfamiliar selection of Ireland’s frameable works, mostly from the 1990s, into public view from the estate of one of the artist’s siblings. Critics cite Ireland (1930-2009) as a leading figure in Bay Area conceptual art. Several other pages, layered with black and white enamel, bring to mind the abstract meanders of painter Brice Marden, until a viewer notices that the initials D and I slowly, but wryly, unignorably begin to obtrude as armatures of Ireland’s ostensibly non-signifying features. Читать дальше...